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Прочитано: 46%

PURPORT

By the word cintamani is meant "transcendental gem." Just as Maya builds this mundane universe with the five material elements, so the spiritual (cit) potency has built the spiritual world of transcendental gems. The cintamani which serves as material in the building of the abode of the Supreme Lord of Goloka, is a far rarer and more agreeable entity than the philosopher's stone. The purpose tree yields only the fruits of piety, wealth, fulfillment of desire and liberation; but the purpose trees in the abode of Krsna bestow innumerable fruits in the shape of checkered divine love. Kama-dhenus (cows yielding the fulfillment of desire) give milk when they are milked; but the kama-dhenus of Goloka pour forth oceans of milk in the shape of the fountain of love showering transcendental bliss that does away with the hunger and thirst of all pure devotees. The words laksa and sahasra-sata signify endless numbers. The word sambhrama or sadara indicates "being saturated with love." Here laksmi denotes gopi. Adi-purusa means, "He who is the primeval Lord."

TEXT 30

venum kvanantam aravinda-dalayataksam

barhavatamsam asitambuda-sundarangam

kandarpa-koti-kamaniya-visesa-sobham

govindam adi-purusam tam aham bhajami

venum--the flute; kvanantam--playing; aravinda-dala--(like) lotus petals; ayata--blooming; aksam--whose eyes; barha--a peacock's feather; avatamsam--whose ornament on the head; asita-ambuda--(tinged with the hue of) blue clouds; sundara--beautiful; angam--whose figure; kandarpa--of Cupid; koti--millions; kamaniya--charming; visesa--unique; sobham- whose loveliness; govindam--Govinda, adi-purusam--the original person; tam--Him; aham--I; bhajami--worship.

TRANSLATION

I worship Govinda, the primeval Lord, who is adept in playing on His flute, with blooming eyes like lotus petals with head decked with peacock's feather, with the figure of beauty tinged with the hue of blue clouds, and His unique loveliness charming millions of Cupids.

PURPORT

The matchless beauty of Krsna, the Supreme Lord of Goloka, is being described. Krsna, the all-pervading cognition, has a spiritual form of His own. The form of Krsna is not a fanciful creation of imagination formed after visualizing the beautiful things of the world. What Brahma saw in his ecstatic trance of pure devotion, is being described. Krsna is engaged in playing upon His flute. That flute by his enchanting musical sound attracts the hearts of all living beings. Just as a lotus petal produces a pleasant sight, so the two beautiful eyes of Krsna who causes the manifestation of our spiritual vision, display the unlimited splendor and beauty of His moonlike face. The loveliness that adorns His head with peacock feather figures, the corresponding feature of the spiritual beauty of Krsna. Just as a mass of blue clouds offers a specifically soothing, pleasant view, the complexion of Krsna is analogously tinged with a spiritual dark-blue color. The beauty and loveliness of Krsna is far more enchanting that that of Cupid multiplied a millionfold.

TEXT 31

alola-candraka-lasad-vanamalya-vamsi-

ratnangadam pranaya-keli-kala-vilasam

syamam tri-bhanga-lalitam niyata-prakasam

govindam adi-purusam tam aham bhajami

alola--swinging; candraka--with a moon-locket; lasat--beautified; vana-malya--a garland of flowers; vamsi--flute; ratna- angadam--adorned with jeweled ornaments; pranaya--of love; keli-kala--in pastimes; vilasam--who always revels; syamam--Syamasundara; tri-bhanga--bending in three places; lalitam--graceful; niyata--eternally; prakasam--manifest ; govindam--Govinda; adi-purusam--the original person; tam--Him; aham--I; bhajami--worship.

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